This makes it a lot easier to manage and find your files, however it also means that there’s no local file structure to tap into. Every photo is stored in the cloud, and even if you choose to have all originals backed up locally, adding an image into that folder in your file system won’t make it automatically show up in Adobe Lightroom. I’ll break it down step-by-step, but here’s the short version of what you’ll have to do. Export the RAW file from Adobe Lightroom CC, open that into DxO PhotoLab 2, export a TIF or JPEG file from DxO PhotoLab, import that back into Adobe Lightroom CC, then delete the originals in the Finder - (maybe).ġ. Right-click on the photo you want to edit, and choose Save To… and then set the file type to Original + Settings. Right click and save the image you want to process in DxO PhotoLab.įor the Location, create a new folder that you’ll use every time for this (that’ll make it easy to find the photos in DxO PhotoLab and also in the operating system so you can delete them later), called something like “Lr CC to DxO PL2 TEMP” as I did, and save the image there. Save the original in a dedicated folder for this workflow.Ģ. Crops from these long focal lengths combos at sub par apertures are IMHO out of the question and super resolution will only pick up the inevitable flaws and make them even more visible.Launch DxO PhotoLab 2, and navigate to that same folder. Get used to the fact that you would get better images from using the lens without the TC and cropping to compensate. Unfortunately the Canon lens+TC combo is IMHO practically unusable (and I say that as a Canon user) due to the effects of diffraction and too much subject distance (which brings a lot of additional problems with it, like air pollution, haze, heat distortions, subject movement and lack of stability of your tripod for such a combo), especially if you think you could use crops from such images. Even DxO Prime isn't that good against a more measured sharpening approach. Dial that back (at f/10 wide open any lens+TC combo will seem soft due to unavoidable diffraction) while at the same time increase the masking and you will need hardly any noise reduction. IMHO the reason most dislike the noise reduction in Lightroom is because they overdo the sharpening on noisy shots. I have a Canon R5 and the main lens I use with it is the RF100 500 and when using a 1.4 TC with that lense the widest aperture I can get at max focal length is f10 As I will be now shooting at high ISOs I need to get to grips with it. This really is a balance, personally I have never found Lightroom to be very good at noise reduction for high ISOs. If you are then the table quickly turns against DxO because it's quite bad regarding highlight recovery and sharpening (so much so that I strongly advise against using DxO to process images in, especially if you are using a lens+teleconverter combo like the OP because the DxO profiles AFAIK always are created for use with short subject distances). It's only better if you are unfamiliar with processing an image in Lightrrom. PL4 is a full, arguably the best, raw processor with many sophisticated features, not just an NR tool.īut you've just missed the 30% discount sale. Note that you also get better lens distortion correction (including tuned lens sharpening) than is available in Adobe products, and better shadow recovery. Now I just need to convince myself that Deep Pride is worth the money DeepPRIME only works on raw images, so PL4 has to be used before PS.Īgree, as others have said save as DNG then go to PS. Really? PhotoLab is primarily a raw processor. Sure you do, but you will not get the additional benefit of the raw enhance feature.ĭo whatever you need in Photoshop and then send to DxO. PS will open the file in the RAW filter and you can then choose Super Resolution by right clicking in the usual way. Therefore you can use PL for Deep Prime and even do your cropping in PL. You just need to open the files in the RAW filter. You don't need your file to be a raw in photoshop for super resolution to work, it will work with jpegs and tiffs also. Using Deep Prime 1st the best results I can get is to output it as a 16bit TIFĪlternatively can anyone recommend a noise reduction program better than Deep Prime ? Deep Prime only works on raw files and photoshop also needs raw files. What is the best workflow for doing the noise reduction. The problem I have is that I want to make a tight crop of a shot and this will need resolution enhancement using Photoshops latest trick. I do my photo editing in Lightroom and I’m happy with it as it does what I need. I need a noise reduction program and the best I can find is DXO Deep Prime which is sold as part of its Photolab 4 software.
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